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Birthdays For The Dead

Stuart MacBride lives in the North East of Scotland, where he writes gruesome crime novels and grows gruesome potatoes.

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Wednesday, March 30, 2005

Party time

At last I have a date for the launch party in Aberdeen – on the 27th of April 2005 Ottakar's will be hosting a wee shindig to celebrate Cold Granite coming out the week after. It’s a Wednesday, but I’ll be finished work by then, so no having to worry about hangovers. Which is nice.

They have however, restricted me to a mere 200 guests (plus Ottakars and HarperCollins will be inviting another 100 people on top of that), so I don’t know HOW I’m ever going to cut down the list of my nearest and dearest friends… You’re not buying this are you? No, I don’t know 200 people, so God only knows how I’m going to hold up my end of the bargain. I can invite all the people who helped me out with cunning research question things but even then, half of them are HC people anyway and will be under someone else’s invitation remit. Family will count for about another 10 (four of which probably won’t be able to make it), so that leaves a mere 180-odd places to fill… No problem… Err…

I suppose there may be one or two people at work who’d like to come, and I’m guessing my parents will want to tell their friends, but still – how the hell am I going to fill all those places?

Maybe I should get a whole heap of cardboard cut-outs of Darth Vader and Buffy The Vampire Slayer and pretend they’re all close personal friends on a sponsored silence… Hmm, methinks it is a plan. A crap one, but right now it’s all I got ;}#

No work and no play make Stuart a dull boy

Well, it’s official: INoGITCH haven't a clue what to do with me. Which is understandable as I’ve only got another 9 days to go before disappearing off into the scary blue yonder. Not an awful lot of projects to manage that’ll fit into those timescales. So instead of doing anything productive, I seem to be spending most of my time ‘looking busy’. Which I hate. In fact, that’s mostly what I’ve been doing for the past three days: hating looking busy.

Now I know a lot of people would be thrilled to be in this position, I could sod about to my heart’s content for the next 9 days and get paid for it. Woo hoo! Only I can’t do that. I’m one of those people who takes their job very seriously – I care whether it’s done right or not, no matter how pointless the task at hand may be, I want to do it well. And I find it very difficult to ‘be’ any other way. Hugely developed work ethic me. HUGE. Like a mastodon on steroids is my work ethic. When it bends over to tie its shoelaces, its butt eclipses the sun. Other people's fat mamas orbit it: it’s that big. So twiddling my thumbs is akin to slow torture for my little head.

And it’s not like I haven’t got things I could be getting on with, either! I could be researching ‘The Standalone’, hell I could be writing the damn thing, or ‘The Fantasy Thing’ come to that. But I just can’t do that at work, it grates against that damnable work ethic.

Bored, bored, bored, bored, bored, bored, bored, bored, bored, bored…

Tuesday, March 29, 2005

Seasons Don’t Fear The Reaper...

That’s probably because they’re nothing more than an attempt to quantify the natural cycle of planetary rotation about the sun, and therefore unconcerned by an anthropomorphic personification of human mortality. Unless, of course, it’s a typo and they mean ‘seasonings don’t fear the Reaper’, because salt and pepper are renowned for sneezing in the face of danger and breaking wind in the bathtub of death.

But I digress…

This week I are been mostly plotting, or maybe it’s planning. Nope, I’m pretty sure it’s plotting: that’s the one where I don’t do any actual work, just sit about thinking ‘wouldn’t it be cool if…’ The hard work of getting some sort of chronological order comes next. And as I know I’m going to ignore at least half of that once I actually start writing I’m not overly worried about doing it. It’ll help get things sorted out in the spider-infested attic that is my head anyway. And just to keep things interesting, I’ve been plotting ‘The Standalone’ and ‘The Fantasy Thing’ at the same time (on different pieces of paper), which is fun as they’re so bloody different.

On the less happy-la-la front I’m also getting started on the research for ‘The Standalone’, which, unlike ‘The Fantasy Thing’, I can’t just make up as I go along. Nope, this one I have to go speak to Peterhead Prison and the Parole Service and Social Services and the Hospital and the Police and, and, and… Lots and lots of people to talk to before I can actually get started properly on actually writing the book. But I did find out one interesting fact today (not to mention loads and loads of uninteresting ones): did you know that one in every thousand Scottish men, over the age of sixteen, is on the Sex Offender Register? Sounds pretty scary no? Well, not if you compare it to California where it’s one in every hundred and thirty. So next time you're at a crime writing convention over there, take a look around you at the hundreds and hundreds of people milling about, breathing the same air, sniffing your seat when you get up to go to the loo. One in every hundred and thirty...

Now that’s bloody scary!

Monday, March 28, 2005

Ain’t none of yer fancy internet here

Or phones come to that. Yup, the perils of living in the sticks has reared its ugly head again – right now my telephone line sounds like Godzilla’s eating cornflakes on the other end. I can’t call out and can’t understand anyone calling in. Which makes getting onto the old internet thoroughly impossible. ‘Aha,’ say the quick-witted among you, ‘in that case, how come I’m reading your blog? Eh? Eh? Come on beardy boy, what’ve you got to say to that?’ Well, that’s because I’m back at work again and while #Insert Name Of Global IT Company Here# disallow many, many things, blogging doesn’t seem to be one of them (though I’m sure that’ll change as soon as anyone notices it). In the meantime, those fierce stalwarts of technological industry at British Telecom have proudly told me that my crackly, crappy phone line may – or may not – be fixed by Wednesday night. By which time I’ll have been without any form of meaningful contact with the outside world for 108 hours. Hurrah. Technology? Piece of wet bloody string would be more reliable.

So I still have no idea why the purported article never appeared in the latest Scotland On Sunday. Maybe there’s some big, effusive apology and a free pair of socks, sitting in my hotmail inbox as we speak? Or perhaps there never was an article? Perhaps it was all some big, evil scam devised to increase the SoS’s circulation? You know the drill – they interview people so they’ll buy the paper, only the interview never appears!?! Infamy! Or it’s something altogether more sensible, like they ran out of semicolons, or had much better stuff to print. Ho hum.

Anyway, he said, this marks the first day of my last spell at INoGITCH. Twelve days of fun and frolics before I give it all up to become a full-time write-ist of no fixed abode. And during that time I’ve got a gala dinner to attend (really looking forward to that one) and a whole pile of books to sign (that one: not so much). But it doesn’t change the fact that these are my last 12 working days that belong to someone else. If I can work up the enthusiasm to get demob happy, I will, but not till much later.

Friday, March 25, 2005

Alfresco writering

Yup, today sees the first chance to sit outside on the veranda and write in the great outdoors. Nasty foggy morning gives way to blue-sky afternoon with plenty of sunshine for me and Madame Kitty-Poo. Though she spent most of her time trying to catch mice and birdies. Without any success on either front. But I think she got to eat some spiders, which is nice (if you’re a cat, or have swallowed a fly).

Which means I have finally managed to finish off the first draft of that bloody not-so-short story. Hurrah! Now I can get down to thinking about the next book, and hopefully forget about the whole fantasy novel thing for a while. It’s lurking everywhere at the moment, but I shall eschew it’s variable charms. After all, there’s no money in it, and it’ll have to wait until ‘The Standalone’ and ‘Book 3’ are finished. Oh, and I still have to come up with a name for ‘Book 2’. And do whatever edits Jane and Sarah want for ‘Book 2’. So it’s going to be a long time until I’m writing about talking cats and torturing corpses. Ho-hum.

Thursday, March 24, 2005

No Accounting for taste

The last day and a half have been taken up with the exciting ‘hunt for an accountant’. Yay, whoo… er… Not the most glam / rock star thing I’ve gotten up to of late, but there you go. Needs must when the chancellor of the exchequer sets his beady, greasy little eyes on the contents of your bank account. The trouble with the whole working for a living and writing in your spare time thing, is that if you do actually make it and con someone into giving you an advance, the Inland Revenue are rubbing their hands, desperate to kick the proverbial crap out of any money you’ve got. Delightful little darlings, the lot of them. So, your newfound write-ist has no option but to get a champion to fight for him or her, someone to take up the sword of deductions and allowable expense against the slings and arrows of outrageous income tax.

In the end I’ve decided on a little local firm -- rather than the big trans-Aberdonian conglomerates (ahem) -- who are going to keep as much of my cash as possible in my pocket rather than that thieving bastard Gordon Brown’s. Gotta ask: what the heck’s he doing to earn my money anyway? My gutters are leaking: he going to come round and fix them? Or dig over my tattie patch? Or do the ironing? No, he just wants money for nothing, so he can blow it all on nose-candy* and hookers**. Thieving bastard. Did I say that already?

Anyway, like getting VAT registered, this is one of those less than glamorous moments in the fledgling write-ist’s life. It’s not all books and blogging you know.

* he’s often to be seen wandering the corridors of Whitehall with a sherbet dib-dab rammed up his hooter.
** allegedly.

Wednesday, March 23, 2005

Will 194.105.98.23.static.cablesurf.de please FUCK* OFF!

I understand that my computer is probably full of tasty treats, but will you please just leave it the fuck alone? In the last two days my firewall has registered 81** attacks by whichever spotty-arsed bastard it is, squatting in his parents’ basement, clicking away with one hand and banging away with the other. Give it a rest, OK? I’m sure you’re a lovely person, and I bet you’ll loose that pesky virginity real soon (or at least by your thirty fifth birthday, when I presume you’ll still be staying with mom and dad – maybe your mates can club together and rent you a sexual partner? Blow-up ones don’t count though, OK?).

But in the meantime, go find yourself a nice porn site and stay the fuck away from my bloody computer.

And it probably doesn't help my general mood that my website seems to be screwed at the moment - hence the whole no pictures thing.

* too annoyed to do the polite asterisk thing
** actually, by the time I typed this and stuck it up on the net the count had risen to 95 attacks all from the same arse-biscuit

Once more, this time in English...

This morning I went into town to put all that Media Training into practice – Ayden from Scotland On Sunday was up doing a bit on Lee Hutcheon – who’s a filmmaker and has just won Best Drama at the New York International Independent Film and Video Awards for his Aberdeen-based gangland flick: In a Man's World – and, as they knew I too was from this neck of the woods, Ayden wanted to talk to me too. Sort of a ‘how come there’s this sudden upsurge in fictional crime coming from Aberdeen then?’ thing.

the inversnecky cafeQuarter past ten at the Inversnecky Café – ho, ho thinks I, in for a free bacon buttie here! Alas ‘twas not to be, but I did get a cup of tea out of it ;}# I think it went OK, lots of good questions, and I went off on one about how Aberdeen is not just some pokey-wee hole where people fiddle with sheep (which was kinda the point of the thing, so that should go down OK). And it’s going to be coming out in this weekend’s Scotland On Sunday, so I won’t have to wait that long to see how much of a tit I’ve made of myself. Hopefully not to much of one, but I’m not betting on it.

There’s still something bloody weird about someone asking me questions about stuff and what I think about stuff, and… er… stuff. I keep wondering if they’ve got the wrong person, and shouldn’t they be off speaking to someone important and interesting, rather than wasting their time with me? (Of course I understand that now I is a write-ist with a book coming out all over the world, I’m slightly more interesting than I used to be six months ago, but not THAT much, surely!) As always, it was fifteen minutes after the interview had ended, Ayden had scampered off to catch the next train south, and the photographer and I were doing ‘look moody and cold’ pictures, that the all those ‘what I should have said was…’ things started flying through the old bearded noggin. Damn. Ah well, too late to worry about it now I suppose.

The photos won’t be quite what SoS will have been expecting though: book set in the depths of winter avec les snow and rain – today it was crystal blue skies, fluffy white clouds and blazing sunshine. So there I am, being told to zip up my David Hasslehoff-style leather jacket, turn up my collar and look moody, while the sun bakes the tarmac and I slowly melt. Warmest day this year, I think. But we took LOADS of photographs down the beach, some more in the Castlegate and a few on Marischall Street (where our protagonist Logan McRae lives), and I got to admit there are some damn good shots in there. Knowing my luck though, it’ll be the one that makes me look like a care in the community case that they’ll use.

After the photos were finished I walked the photographer (who I think was called Dave, but then my memory for names is even worse than old what’s-his-face) up to the graveyard in the middle of Union Street so he could take Lee’s photo too (remember Lee from paragraph one?). Now Lee looks a lot more noir than I do. A LOT more. Black leather (natch) with black zippy sweater thing, earnest expression and jelled hair. He looks like someone who’d break your knees, I look like someone who’d make you a nice cup of tea (and then maybe call someone else in to do the business on your appendages with a lump hammer). To each his own. Lee’s nice, in a forthright, sweary kind of way – just like real noir people are meant to be – and was happy to chat as Maybe Dave went clickity-click-click-click getting some shots of the two of us together, in our matching black leather ensembles. His latest film is off to the Cannes Film Festival to see if they can get a worldwide distribution deal. Does he find all this talk of ‘putting Aberdeen on the map’ as weird as I do? Yup. Only he says: “Aberdeen’s been here for a long, long time: what the fuck’s everyone else been doing?”

It’s been years and years and years of nothing and now there’s two crime stories coming out of Aberdeen in the same year, hell, in the same month (he’s waiting for May to see how things go as well). How weird is that?

Monday, March 21, 2005

Not so short stories

You may, or may not, know that it’s been my intention to write a couple of short stories for the Website Of DOOM. OK, so far so good, have ideas will type. Only it’s not really working out that way. It’s been ages since I last wrote a short story – I’m more used to turning in whole books of 130 to 150 thousand words. I’m used to letting things happen and get more complex and lead off on interesting (interesting to me at any rate) tangents. Can I turn out a four page short story? Can I buggery. Nope, I’ll be lucky if I can get the damn thing finished in fifteen. Even now I’m thinking of extra subplots and events that would bloat the thing up like Anna Nicole-Smith. Maybe I’m just out of practice, or maybe a good short story is so far removed from a good novel that it’s too hard for my little brain to make the switch easily.

After all, look at Philip K Dick – excellent short stories, crap novels (OK, so they weren’t all crap, but for me they never lived up to the promise of his shorties). Not everything that works as a short story will work as a novel. The suspension of disbelief is different for the two mediums: what you can get away with in 10 to 20 isn’t the same as what you have to do to sustain 400 of the little papery bastards. It’s like radio and television, they’re similar mediums, but ultimately not the same thing.

And there are those who’re determined that any idea that works as a shortie, will work as a fully fledged novel. But it won’t. Take a squint at ‘The Days Of Perky Pat’ – amusing short story, crap novel. The more I look at it, the more I think they just don’t map to one another. Sure some of the characters may make excellent heroes / villains for a book, but if an idea works in 12 pages, what makes someone think it’s going to be comfortable spread out over 400? If it needed 400 pages, it wouldn’t have worked in 12 in the first bloody place, would it?

Or maybe it’s just me…

Can Lightning be made to strike twice?

This is a thought I have been having a lot over the last few days: can you, by force of will alone, make lightning strike twice?

When I was wee, just a tiny scrap of a thing, I used to read a lot. It was my principal pastime.
  • Science Fiction – Larry Niven
  • Crime – Hardy Boys Mysteries
  • Fantasy – Tolkien / Lawrence Watt Evans
  • Horror – Stephen King / James Herbert
Staying up way past my bedtime I’d devour books when everyone else was asleep, reading on into the wee small hours (I used to read much faster than I do now, but as I started writering I slowed down readering).

So far I’ve almost sold SF (HarperCollins were considering buying Halfhead when they suddenly got sight of Cold Granite and decided that would be a MUCH better idea). Crime you know about. Horror… well, I’ve kinda had a stab at, but it was really more of a supernatural action / thriller. The only thing I’ve never tried my hand at is Fantasy. Swords and sorcery and mud and grime and war and torture and rivers of blood… Sounds fun, no?

Oh I’ll probably never get round to doing anything about it, but it might be fun. Have to think up a good pseudonym though. I wonder if anyone else out there in mystery world feels like playing outside the genre? I know Bryon fancies his hand a chick-lit. But what about anyone else: who has dark, shameful, genre-cross-dressing secrets hiding in their closet?

--- updated thing---

After Sarah’s comment I see that I have strayed far of my original mark on this one. The real point (that I so inconveniently forgot in my rambling) was not to ask, 'What else do I feel like writing?' but 'What can I write and actually sell?' I’ve been lucky with CG and HarperCollins (blessed be thy name), can I do it again in a different genre with a different name? Is this writing thing – in its more general sense – something I can do, or am I a one-trick pony (with the obligatory liking for carrots)?

In short: can I try something else (not crime) and make it work?

Thursday, March 17, 2005

Write-ist's cramp

Ever wondered where all those bookshops get their ‘signed by the author’ copies? Well I’m about to find out. HarperCollins has a huge warehouse in Glasgow, where it keeps a lot of its stock, and as soon as the palletloads of Cold Granite start arriving at the start of April, I’m off down to scrawl my name inside a heap of them. A scarily large heap of them. Seriously: terrifying. I’ve been working in IT for years now, I can barely hold a pen anymore, the keyboard is my writing implement – and it rarely ever needs sharpening with a penknife. The thought of spending a whole day (or half day) clutching a leaky biro, writing ‘Stuart did write this’ on the title page of the EU Noir Mountain is a bit daunting.

Of course, it won’t be a leaky biro, I’ll go buy a box of nice gel-ink pens and as my official signature takes about two seconds to scrawl it won’t be too bad (unless I’m supposed to make them legible, which will make it nothing like my signature). And in order to make some of them a bit special I have decided that every now and then I’ll throw in a little picture of the cat. That’s sure to make them collector’s items (ahem). Mind you, given the number of books being bandied about, I don’t think there’ll be time to do a lot of little kitty cats. Thankfully it’s being billed as a team sport – I do the signing, but other people help with the stickering and opening and putting on the signed pile. I’m hoping there will be pizza and beer, though a greasy, cheesy meal you eat with your fingers is probably not the best of ideas when handling brand-new books.

But it should mean that I can shoplift a copy for my own private, dirty little collection. It can sit proudly on my desk next to its attractive Norwegian cousin.

Wednesday, March 16, 2005

Snaps, Pies and Videotape...

Well, that’s me back from London (again) only this time in a kind of exponential mucus machine kind of way. The sniffles have turned into the sneezles and the cough into something that makes windows rattle. But I’m on my part time thing again, so I get to be ill on my own time. Hurrah! There is no sick-leave for the stay-at-home write-ist.

But I digress.

Pies:

I was down in London primarily to attend a cocktail party (not unfortunately held in my honour – not matter what Sarah says – except in the same way it was held in honour of all the UK authors and agents and colleagues of a large group of European publishers) where I finally got to meet the nice people from Unieboek and Forum who bought rights to bring out Cold Granite in Holland and Sweden respectively. I also almost managed to meet Mark Billingham, but was waylaid on my way over there and never really got round to it. Which was an odd coincidence as I had ‘Sleepy Head’ in my jacket pocket downstairs. When I arrived a nice, enthusiastic young lady met me at the top of the stairs and gave me a sticker with my name on it. I thought this was a great idea, it wouldn’t matter how many people I was introduced to, I’d never have to worry about forgetting, or not hearing their name, ‘cos it’d be right there in blue biro on their chest. It wasn’t until I got upstairs that I realised that it was only the authors who got stickers, everyone else was anonymous. They all knew who we were, but we had to play the memory game. Which is a recipe for disaster where I’m concerned: I have a head like a sieve. But on the plus side there was no chance of repeating the whole ‘Who’s Michael Marshall’ fiasco of the Voyager Summer Party. Always look for that silver lining.
The party was only from seven till nine (and even though it was billed as a cocktail party, restricted itself to red wine, white wine, orange juice and water – which Fiona assures me is normal these days) so Agent Phil (will dance for food) was all for going on somewhere afterwards. Maybe we’d crash a couple of parties – one for another publishing house and another for film agent / producer types – but he didn’t have a clue where either of them were, and neither of us really felt up to trawling the streets of London listening for the sound of drunken publishing types. Instead we found a nice cocktail bar in Soho and got stuck into the martinis and mimosas before catching the last train back to Guildford where Molly (Phil’s much better half) plied us with hash browns, onion rings and half a huge chicken pie each. At two in the morning. Gotta love a wife like that.

Videotape:

The party was fairly surreal, in a shouty over the ambient noise of everyone else shouting over the ambient noise of… you get the picture, but it was normality itself compared to the way I’d just spent the afternoon. Fiona McIntosh, publicity guru and renowned Judy Finnigan impersonator, took me along to ‘Impact Factory’ for ‘Media Training’. Now when I heard about this I was pretty convinced it’d be the same kind of thing they do with politicians: you know where they teach you to be a slimy wee bastard who never answers a direct question? Wrong. This is about how to do an interview without making a complete tit of yourself.
Fiona (not She Who Must… this is going to get confusing real soon) had told me on the way over in the car that most authors eventually get the hang of doing interviews and speaking to the press, but it can take ages. And the learning process can often be uncomfortable, if not downright painful, so she decided to get her writers some experience upfront. Which is why I spent the afternoon with James Fischer, being asked the same question over and over and over again… Well, lots of different questions really, there was just the one that got the whole Groundhog Day treatment: “What’s your book about?”
Sound innocuous enough, no? No. On the first pass I launched straight into the synopsis, drifting to a halt when it became clear that this wasn’t the right answer. So we did it again, and again, and again. Took me a while, but in the end I finally got it: when someone asks “What’s your book about?” they don’t really want to know what your book’s about, they want you to make them excited about buying it. And if you can make them excited you’ve a much better chance of making their readers / listeners / viewers excited about buying it.
The afternoon ended with the excruciating experience of a simulated television interview, on camera, which is then watched back and analysed (in a carefully-worded positive manner). And after that, another go on camera, this time with ‘shambolic interviewer who has done no research’ and awkward pauses. Apparently this happens a lot and if you’re not comfortable taking charge of things and talking coherently, you’re screwed. Sounds bloody obvious doesn’t it, but until it was pointed out to me, I’d never thought about it before. Obviously I’d been very lucky in Oslo, as all my interviewers had been very well prepared and, with one exception, seemed to like the book. But I will be better prepared next time. Honest.

Snaps:

My last appointment (and I’m shifting into first person present for this 'cos it's my blog and can do whatever the hell I like, so nyah) is with Jerry Bauer, the photographer Forum have arranged to take some portrait shots of yours truly and his lovely beard. I’m meeting him outside the St. Mary Abbot’s Church in Kensington at quarter to eleven, or I would be if the Jubilee line wasn’t buggered, meaning I have to perform the underground equivalent of orienteering to get there. By the time I get my first glimpse of Jerry, huddled on a bench outside the church, I’m already fifteen minutes late. He’s a small-ish, older man with a kindly smile and soft voice, and puts me in mind, for some unknown reason, of Jack Lemmon. God knows why: he doesn’t really look like him, there’s just a kind of Jack Lemmonyness about him. Fifteen minutes is nothing, he tells me as we nip across the road for a cup of tea, once he had to wait three hours for someone to finally show up.
Over tea he tells me about his schedule – he lives in Italy, but has come across to the UK because there are another two authors he needs to photograph, both of whom are attending the London Book Fair – and shows me some of his work. I think the title ‘Photographer To The Stars’ would be appropriate: you name someone, he’s photographed them. Authors, playwrights, film stars, the lot. As we go back across the road to the church I discover that he namedrops constantly. Not in an ‘aren’t I special’ kind of way, more like he’s hunting around for a friend we have in common. He obviously hasn’t heard that I’m a bearded nobody. I can’t help liking him.
Jerry’s not a clickwhirrrr-clickwhirrrr-clickwhirrrr kind of photographer. He’s brought a pair of ancient-looking Lika cameras – one for colour, one for black and white, each one with an old-fashioned light meter on top that look like they’re made of Lego – and each shot is carefully composed. Then he takes off his glasses, holds the camera under my nose, checks the light meter, shuffles back to where he started, puts the glasses back on, and then ‘click’. And then it all starts again. While we’re doing this he gets me to inch forwards and backwards, turning left, right, head this way, then that, all communicated silently with little hand gestures. It takes me a while to figure out that he’s doing it so the light and shade fall across my face in different ways. No, Jerry’s not from the clickwhirrrr-clickwhirrrr school. Jerry’s an artist. Just a shame he’s lumbered with me for a canvas. Poor sod.
After we’re finished he insists on buying me a sandwich before I catch my tube to Heathrow, and we talk about how he got into photography. Apparently he used to do interviews for a magazine, but sometimes the photographers they sent along with him just didn’t show up. So he bought himself a camera, and three months later his pictures were appearing in Vogue. He’s going back to Italy on Wednesday and promises to have some proofs in the post by the end of the week. After that he’s off to New York, and maybe Rio. He has some friends in Cuba, he tells me as I polish off my ham cheese and mustard on rye, and they can’t afford food, or the HIV medicine they need, so he’ll take them some clothes and some cash when he’s there. Which is kind of humbling.

All the way through Jerry’s photo shoot my cough has been getting steadily worse, sometimes wheezy, sometimes rattling, always painful. For a change I’m going to be the one sat two seats back on the plane, expectorating over the rear of some poor bugger’s head.

Revenge, thy name is mucus.

Sunday, March 13, 2005

Fidget, fiddle, sigh and pace...

Getting restless. I miss writing, but HC haven’t come back to me with suggested alts for Book 2 (still no name) yet – probably because of that pesky London Book Fair thing – and there’s no way in the gilded monkey’s rectum I’m going to start in on Book 3 (even if it does have a title) before Book 2's finished, so I am currently ‘between projects’. Add to that the fact that I’m about to start my next slice of working from home, and you have a perfect recipe for going slowly insane.

In order to stave off the beckoning call of mental illness I have begun mapping out ‘The Standalone’. I was planning on writing the thing this year anyway, so why not start it now? Nothing else to do... I’m quite looking forward to it, even if it’s unlikely to come out anytime soon. HC will want to build the series, not surprisingly, and having me sod about before people have got used to buying and reading my books is probably not the best of ideas. But – and here’s the clever part – it’ll mean that by the time I’m delivering Book 3 (about Christmas this year), which finishes off the current three book contract, I’ll have ‘The Standalone’ in the bank and can hopefully use it to negotiate another three book deal. Though, to be frank, I’d happily sign a six book one.

Right, that’s enough blogging – time to get to work...

Mucus, mucus, get yer free mucus here…

Yup, with perfect timing my head has turned into a snot factory, I have a throat like a wino’s chin and a cough that makes things rattle inside. Great fun, especially as I’m off to London for a cocktail party tomorrow – doesn’t it sound awfully swish when you say it like that ‘cocktail party’, as opposed to say, a ‘cocktail funeral’, or a ‘cocktail hysterectomy’ – and expectorating all over the hors d'oeuvres probably won’t be that welcome. At least not if anyone catches me doing it. “Is it just me Delia darling, or do these shrimp canapés taste of phlegm?”

I’m not entirely sure where this cold came from either: was it all the people hacking and sneezing on the plane back from Oslo? Was it all the people sniffing and coughing in the waiting lounge at Heathrow? Or was it the people where I work, bravely soldiering into the office with streaming head colds, because we all know how much more fun life can be if you share your mucus-fuelled infection with everyone else. So today I are been mostly sneezing and dosing myself up with vitamin C, Lemsip and cherry-flavour Strepsils. That and building a shelf for my new printer to sit on (how rock n’ roll is that?) and helping the cat down off the roof. She can get herself up there, but there are only two ways for her to get down: use me as a ladder, or fall off (she’s fallen off once and doesn’t seem too keen to repeat the experience, so clambering down me it is).

Saturday, March 12, 2005

Thieving bastards

JamesO has recently pointed out that there’s a paperback copy of Cold Granite currently for sale in the used section of Amazon. The thing’s not even out for another month and a bit, but someone’s already flogging it second hand. Now the only way they can have a paperback of the book is if it’s been given to them by HarperCollins for review, or as part of the pre-order sales thing so bookshops know what they’re getting into. Either way these things are marked with ‘Not For Resale’ in dirty big letters.

I know there’s been a lot of debate prompted by Lee Goldberg about people (read Amazon) selling second hand versions of books alongside new ones – why buy a brand new book (even if it is heavily discounted) when you can get one for much cheapness second hand?* – but it does hack me off that someone’s out there flogging a copy of a book that doesn’t even exist in the shops yet. My book.

I suppose the only upside is that whoever they are, they’re charging more than double what Amazon are asking for a brand spanking new virgin hardback. Even so, the cash isn’t going to go anywhere near my mortgage, electricity bill, telephone bill… you got any idea how much beard-trimmers cost?

*Well, how about, if you buy a second hand book instead of a new one it doesn’t count towards the author earning out his or her advance and jeopardises their chances of making a career out of it (perhaps not true of Big Name Authors, but then most of us aren’t), for new and mid-list authors every sale counts.

Friday, March 11, 2005

Oslo-A-Go-Go part 2: Wednesday

So much for a good night’s sleep. It doesn’t help that the mattress feels like a sponge stuffed with elbows, or that some demented bastard decides to perform ‘Eclectic Percussion Solo For Wheely-Bin And Broken Bottles’ at half six in the morning. I’ve been drifting in and out all night, always painfully aware that time is crawling by, never staying asleep for more than 45 minutes at a time. Knowing that the next 45 minutes of restless slumber is going to be a long time coming. Good job I’ve got nothing important to do tomorrow, like lots and lots of press interviews for the book. Oops.
Monica has lined up four sessions for this morning: 09:00, 10:00, 11:00 and 12:00 – three national newspapers and the website for one of Norway’s biggest television stations. Good job it’s just the website and not the telly as I look like squeezed poop, with massive rucksacks under each bloodshot eye. Smile and twinkle, smile and twinkle... Oh God...
I ablute, struggle into my patented writer’s outfit, complete with new birthday shirt, and stagger downstairs to find Monica already waiting for me. My 09:00 is with Aftenposten, and will take place over breakfast, only when they turn up (bang on time) they’ve all eaten, but I shouldn’t let that stop me. And like the idiot I am, I don’t, munching on my plateful from the cold buffet, always managing to have a mouthful on the go when the questions are being asked. While we chat (and in my case masticate) the photographer circles the table, clicking and whirring away. It’s a bizarre experience – don’t they know I’m just some beardy bloke from Aberdeen? The questions are good, insightful and it’s more than once that I have to sit back and really think about the answer: why did I make the book about murdered children? No idea. Has to be some reason. Can’t just make one up. Come on Stuart: think! But it seems to go well. I go on about Salve’s part in any success the book has, and how great Ingeborg, Monica and Tiden are too. Which isn’t hard. Much easier than talking about myself in fact.
Am I happy the book’s coming out in Norway before anywhere else? Damn straight I am. I like Norway, it’s like Scotland only you get to eat smoked salmon, prawn cocktail, cheese, and pickled gherkins for breakfast! How cool is that? And Norway is such a hugely literate society: the read A LOT. The reason Kald Granitt is coming out here first is that every Easter pretty much the whole country migrates from the city to cabins and hotels in the mountains, where they ski, barbecue and read crime novels. Not romance, or fantasy or anything else: Easter is a time for chocolate eggs and dead bodies. I can’t think of anywhere else in the world where an entire country gets together to read the same kind of book. It’s a great idea.
After the questions we go outside and take more pictures of me in my ‘I Do Write Books’ costume. No one says anything about my looking like a young, bearded David Hasslehoff, which is lucky, but people walking past in the background are grinning and waving, which puts me off my mysterious brooding for the camera. They’re probably going to go home tonight and tell their loved ones how they saw that bloke off Baywatch this morning, but he’s really let himself go. Before we’re finished Rolf (the photographer) asks if I’ll sign a copy of the book for him and I have to fight to keep the huge grin off my face – he didn’t even ask me to make it out to ‘eBay’

The 10:00 people are from VG (Verdens Gang, a hugely popular tabloid I’ve seen on pretty much everyone’s tabletop since I got here), a very serious looking journalist and her photographer. The questions keep coming back to the nature of the crimes in the book, and how could I write about such things. I get the feeling she didn’t like Kald Granitt that much, but soldier on as best I can, trying hard to make her smile. I succeed a couple of times, but worry about looking like I’m trying too hard and coming across as a vapid arse. We end with a couple of photos taken in front of a picture of stairs (next to some real stairs) in the hotel lobby. No one asks me to sign anything. When it’s all over I tell Monica how it went and she tells me not to worry, by finishing a half hour early (the last interview took up almost the entire hour, but this one lasted slightly over 35 minutes) we’ve got time to see the Tiden offices before my 11:00.

Tiden’s offices are less than two minutes walk from the hotel (which is two minutes walk from the imaginary woman’s restaurant last night), up a long, twisting staircase. Here I meet the legendary ‘punching man’ so gleefully discussed last night: a red plastic and rubber thing they all beat the crap out of when they feel stressed. It’s huge and when I give it a gentle poke – not having anything personally against the man I don’t take a swing – it barely rocks. The thing weighs a ton, but Monica proudly tells me she’s knocked it flat to the floor more than once. I decide not to upset her.
The place is virtually empty, one other author (a proper one) is finishing up some edits on his book ahead of a big boozeup at the Tiden offices tomorrow, another on Friday, and a big industry bash at the weekend – and the office manager, a young woman who blushes when Ingeborg tells me she’s the one who does all the real work around here. They have a big, old, yellowing jukebox in the corner full of vintage Rolling Stones, Manfred Man, Harry Belafonte… there’s even a Tommy Steel 45 in there. Ingeborg slips on ‘Dream a Little Dream for Me’ the music crackling out from the old vinyl and older machine. Tiden looks like a fun place to work, hopefully they’ll be allowed to retain their individuality when they have to move offices and re-enter the bosom of their parent company in a new, custom built building.

11:00 and it’s the turn of Vibeke Johnsen from TV 2, and I seem to make less of an arse of myself this time round. All that experience from yesterday’s radio and the two this morning must be paying off… That or I’m every bit as crap, but have entered a blissful state of ignorance. Either way the interview goes on for an hour and a bit, with lots of brand new questions, I have to think hard about before answering. We finish with a photo outside and that’s me for the day. My 12:00 has had to cancel due to ill health, which is a sod as Monica had to turn down some other offers to keep the slot free for them. The paper don’t want to send anyone else either as they’ll not have read the book, so won’t be prepared. And just as I was getting used to this being interviewed lark. They’ve got a big supplement out tomorrow on the crime books for Easter and the interview would have been in it. Just have to hope they feel suitably guilty and give the book a glowing review.

But all this means we get to have a leisurely lunch down at the harbour, and enough time to stop past a bookshop and see the thing on the shelves for the first time. I’d thought it wasn’t going to be out until the 17th, but there it is, in the second bookshop we try. Large as life. Cheesy though it is, I ask Monica if she’d mind taking my picture next to it (how sad is that?). A further testimony to the Norwegian love of books, there are people wandering the store with shopping baskets piled high with novels; they’re not buying one at time, they’re buying six. Then Ingeborg arrives clutching a copy of ‘Hunger’ she’s bought for me to read on the plane on the way home. Which is such a sweet, generous gesture I have to love her for it. We’re about to go when I have my first ever ‘celebrity moment’: Atle, the man who runs things has recognised me from the photo on the book jacket and tells me he really enjoyed the book and will be recommending it. And he’s also going to get some of the English version in when it’s published in May. The man’s a star!

After the bookstore we go for a walk and Ingeborg tells me why they’re digging everything up in the middle of Oslo – this year marks the centenary of Norway and Sweden parting company and is to be marked with celebrations and roadworks. Behind the safety barriers and fencing, Oslo’s town centre is a pretty place, brick and stone buildings with curls and fluting, painted in bright colours. It’s a shame most of it’s hidden behind construction work, but hopefully, if the book does well, I’ll be able to see more of it next year. I’d like that.

Lunch happens in an American-ish-style diner called ‘Beach Café’ where I have the Special Burger – I was going to go for the Favourite Burger, but somehow it just didn’t seem as special – and everyone has a beer, long, cold and very welcome. My visit has come to an end, it’s time to go home. Unfortunately my burger came with slices of raw, red onions which I have wolfed down with delight and this means poor Ingeborg and Monica have to put up with oniony goodbye kisses. They’ve been unbelievably generous and hospitable: flying me over, putting me up in a hotel, plying me with gin and tonic, dinner, more drinks, lunch… my first real taste of being a published author. You have to love Norway: it’s the law.

The duty free at Oslo airport yields up returning home presents –women-shaped sweeties (complete with boobs) for the men and chocolate for the ladies, which isn’t being sexist as they don’t seem to make jelly men with willies over here. Fiona gets some sweet, brown Gjetost cheese and the drinks cabinet gets a bottle of grapefruit vodka and a litre of Aquavit. It all weighs a ton and there’s a scramble to get on the plane back to Heathrow. We’re already a good half hour late, which the pilot informs us is due to it taking longer than normal to get the plane clean and ready for the return trip. The king and queen of Norwegian were on the inbound flight, he tells us with a wink. Which doesn’t really explain why it took so long to clean the plane, I wouldn’t have thought them likely to trash the place. But eventually we’re back in the air, told not to worry if the aircrew’s uniforms aren’t the same as the ones in the video (again) and then the man with the drinks trolley comes past and it’s large gin and tonic time again.

So that’s it, I am now, officially, a published write-ist. No more desperately wondering what it would be like to actually get a book on the bookshelves; now I know. It’s bloody weird.

Thursday, March 10, 2005

Oslo-A-Go-Go part 1: Tuesday

Today starts a lot earlier than I’d hoped for. The alarm clock says 04:30 and I’m still not due to get up for another two and a bit hours, but the cat has decided to bestow her affections / neuroses on me. Two and a bit hours later and I still haven’t managed to get back to sleep, which is a shame as today I must sparkle. Or at least glitter a bit. Tiden, who’re going to be the first publishers to bring out Cold Granite (or Kald Granitt as it’ll be called) are generously flying me over to Oslo to do some pre-launch promotional interviews with the Norwegian national media. Turning up looking like I’ve just fallen out the back end of a dog is probably not the best of ideas.

I grumble and groan my way through the obligatory morning ablutions and into my ‘Professional Writer’s Outfit’ – if I keep a vaguely startled expression on my face you can barely see the bags under my eyes – then Fiona gives me a lift to Aberdeen airport, which is just as well as five minutes into the trip she realises I am an idiot. So back to the house we go to pick up my passport. It’s a bloody good job I’m not driving myself, or I’d be in for a nasty shock when I got to Heathrow.

For once the plane takes off on time, though we’re told about a dozen times that some of the cabin crew are wearing the new British Airways uniform which is different from the one they’re wearing in the safety video. Why are they telling us this? Who cares? In the ‘unlikely event’ of the plane crash-landing into water I’m not going to be glued to my seat in confusion because the crew are wearing different uniforms. No: I’m going to be out that exit pronto, taking half the drinks trolley with me.

Heathrow airport is much the same as always, miles of carpeted corridors with little signs of life as I clump my way towards international connecting flights in my big clumpy boots – the things are huge, it’s like wearing a pair of black leather breezeblocks on the end of my legs – trying to get to terminal four in time to catch the plane. I needn’t have hurried: some arsemonkey has screwed something up somewhere and we have to sit in our tightly-packed sardine tin for about three quarters of an hour before Captain Chuckles up front finally takes the handbrake off, flicks his fag out the window and reverses out onto the runway. Hurrah! We’re finally off and the temperature slowly begins to drop below the boiling point of lead as the air conditioning kicks in. But we’re severely behind schedule. I know Monica has booked an interview with NKR P2, the Norwegian equivalent of BBC Radio for not long after I’m supposed to get in, which will be about 45 mins before I actually do. Just to be on the safe side I ask for a large gin and tonic from the enthusiastic young man with the drinks trolley. This elicits an indulgent smile, two miniatures of gin (both pub doubles) and a couple of tins of tonic, I might be late, but I’m going to be relaxed.

Unfortunately there’s no spectacular view of fjords and snow-capped mountains as we come in to land, the whole place is shrouded in a layer of cloud so thick the plane almost bounces off of it. So I have to content myself with a merry sprint through Oslo Airport – which looks like it’s been completely kitted out in IKEA – trying to get to the Flytoget: the express train that will allegedly whisk me into Oslo, where I’m to get a cab to the Hotel Savoy. No problems... Monica obviously has a lot more faith in my abilities than I do. The damn thing makes at least three stops on the way into town and I take a gamble on the one in the middle, the central station. As soon as I’m off the train everything changes. The airport was clean and spartanly functional; the train was clean, quiet and comfortably efficient; the central station is not. It takes me three goes to find a taxi rank where I’m ushered to the car at the front of the line – whether I like it or not – only to be told by the driver that he can’t find the Hotel Savoy in his induction book, but he’ll ask his mate if he’s ever heard of it... ‘Induction book’. I see. Somehow I get the feeling this isn’t going to go too well. It turns out he’s a refugee from Somalia, been in Norway for three years and hates the place. He wanted to get a job in Europe, but they wouldn’t let him and his wife in, Norway was the only place willing to welcome him (talk about biting the hand that feeds you). So he drives a cab now and doesn’t know where the Hotel Savoy is.

They’re digging a lot of Oslo town centre up at the moment, turning our magical mystery tour into a rather depressing crawl past blank buildings, mounds of rubble and tarmac as it slowly begins to get darker and we get more and more lost. In the end he pulls over, apologises profusely and switches off the meter, digging out a huge AtoZ, hunting back and forth for any sign of my elusive hotel. At long last he finds it, hoots with laughter and we’re off.

Ingeborg and Monica are waiting outside the Hotel Savoy as the taxi pulls up, they leap up and down and shout and wave and wiggle copies of Kald Granitt at the figure emerging from the back seat, welcoming this stranger to their home town with exuberant smiles. Only trouble is, it’s not me. I’m still doing a tour of the building site city centre, marvelling at the seemingly random rules at junctions. It’s like everyone has right of way, but isn’t willing to risk it. By the time we finally get to the Hotel Monica and Ingeborg are still outside, only this time they abandon the cheerleader whoops and bounces, not wanting the hotel security guards to move them on for accosting bemused businessmen. Ingeborg is head of crime fiction for Tiden, a five-person imprint of a massive publishing corporation, she’s infectiously enthusiastic, frighteningly well read, a five-foot-three dynamo with a deep, rich voice. Monica is her right-hand woman and my PR guardian angel, a tall, very attractive brunette with sharp blue eyes and brain like a steel trap. My brain is also like a steel trap, only the cheese has gone off and no one’s bothered to empty out the dead rat yet. Grinning like an idiot I shake their hands and accept the first ever, proper copy of my first ever published book. That’s your Polaroid moment, right there. It’s a dizzying feeling, standing there on a street in another country with a book I’ve written but haven’t a chance in hell of reading: it’s all been translated into Norwegian.
Monica slaps on a sympathetic smile and tells me my first interview is in ten minutes.

This is the first time I have ever been interviewed. The man is from Kulturbeitet, he’s read the book and likes it – though he might just be saying that to lull me into a false sense of security – sticks a huge liquorish microphone under my nose and starts asking questions. He kicks off with an absolute bastard: “This is your first book to be published, what question would you most like to be asked?”
Somewhere in the back of my head, something goes ‘Eek!’ “Not that one.” I answer. The rest of the interview goes quite well until he pulls his second bastard out of the bag, do I speak any Norwegian? He asks casually and I try out the ‘I don’t speak any Norwegian except for ‘Fisk’’ line on him. It comes out sounding like I’m chewing Lego. He grins and holds open his copy of Kald Granitt at a page marked with blue postit notes, which I then have to read. In Norwegian. Badly.

After the interview I stagger through to the bar where Ingeborg and Monica soothe my shattered nerves with large gin and tonics. We’re going out to dinner tonight with Lasse Tømte, the poor sod who had to translate 127 thousand of my words. Luckily I have brought the party shirt with me and nip upstairs to change, unluckily the power has blown in my room, so I have to get washed and changed in the dark. Another G&T then we’re off to Ylajali, a restaurant named after an imaginary woman in Knut Hamsun’s semi-autobiographical book about a writer nearly starving to death on the streets of Christiania (as Oslo used to be known) in 1888. The restaurant occupies the same building as the imaginary woman, just across the stairs. It’s one of the great classics of Norwegian literature, have I read it? No, no I have not. In that case, says Ingeborg, with characteristic generosity, she will have to get me a copy!

The restaurant is very swish inside, but cosy in a nouvelle cuisine kind of way. The menu is all in Norwegian (funnily enough) but I’m actually able to make some sense of it. Not a lot, but some. As the ancient Norwegians spent many a happy summer holiday raiding up and down the North East of Scotland a lot of the words are familiar when written and completely bloody unrecognisable when spoken. In the end we go for the ‘Chef’s Surprise With Wine Package’ – seven courses of whatever the chef thinks is best on the menu that day with wine carefully selected to accompany each course – Monica tells our waiter that one of the surprises has to be cheese. And all of this is done in perfect English. Ingeborg, Monica, Lasse, the waiter, all of them speak perfect English (though they all deny it when I say so) and once more I am reminded that everyone I meet in the world of publishing is a damn sight brighter than me. Everyone here speaks at least two languages and I can barely manage one.
When the first course arrives its tiny, mushroom soup froth in an itty-bitty bowl and sautéed chicken and onion on the end of a teaspoon. One bite and it’s gone, which is a shame as we’re all starving and I for one could do with a bit less froth and a LOT more soup. All the courses are like that, very, very tasty and very, very tiny. And as the courses come, each lovingly introduced along with the applicable wine, Ingeborg, Monica and Lasse do something increasingly bizarre: they talk about Kald Granitt as if it was a real book. They debate the characters and their background and motivation. This is the first time this has ever happened. Before, when people have talked about the book, they’ve told me how much they enjoyed it, or that they liked so and so, but this is the first time I’ve ever heard anyone discussing the characters like they were real people. Weird. And I’m left with the feeling that I’m going to have to do some serious remedial surgery on book 2, if it’s going to live up to the first one.
The not-surprise cheese course comes and goes and then it’s the last hurrah of the meal, a medley of not so sweet things that prompts a debate about whether there’s dill in the teaspoonful of blood orange or ginger, and if the liquorish sauce on the parfait really has salt in it or not. We all think it does, the waiter is adamant that it does not. I suspect that after we’re gone he’ll be round the back dipping, his chips in it.

Then it’s back to the hotel for calvados all round and I tell Lasse how impressed I am with what he’s managed to do: translate the book from Scottish English into Norwegian Norwegian, managing to keep whatever the hell spark it is that people seem so enamoured of. The sod from the radio station had only ever read it in Norwegian and apparently loved every minute of it, and I tell Lasse that if the book does anything over here it’ll be more down to his skill than mine. And I mean it too.

Midnight and everyone has gone home. I sit upstairs in my room, now thankfully with electricity, contemplating the minibar, even though I know I’ll never actually do anything to it. A tub of Kims Chili Nøtter taunts me with its indecipherable additives, but I shun its charms and go to bed.

Tomorrow’s going to be a big day.

Monday, March 07, 2005

Heigh Ho, heigh ho...

It’s off to Norway I go (OK, it doesn’t scan: give me a break)… Tomorrow I do my first ever publicity junket, and as if that’s not scary enough on its own merits, it’s going to be in Norwegian. So I’m spending a little time this evening trolling the internet translation sites (not least so I can see what Tiden have posted about me and the book on their website!) so I can at least manage ‘I’m sorry, I don’t speak any Norwegian at all, not a word. Except maybe “Fisk”.’ in my hosts’ native tongue. That’ll confuse everyone. Me included.

As you’ll know if you’re a long-term lurker here, I’m going to be spending most of the next two days getting to airports, waiting in airports, flying to other airports, waiting for connecting flights so I can fly to other airports and then wait for a train to get to a taxi rank to get to a hotel (and then do the whole thing in reverse about 20 hours later), and a lot of the time in between will be spent trying not to giggle nervously in front of the Norwegian national press and radio. I’m going to get ‘DON’T FIDGET!’ and ‘CALM DOWN POO-HEAD!’ written on the inside of my eyelids tonight in blue biro. That’ll teach me.

Meeting ones publishers for the first time (quoth he grandly) is something of a nerve-wracking experience. This isn’t due to anything scary about the publishers themselves – who have all been exceptionally nice, St Martin’s Press and Harper Collins both – but more the expectation that I’m going to make a complete and utter tit of myself in front of people I really, really need to impress. Which normally results in my trying too hard and making the aforementioned complete and utter nipple of myself. Though I think I’m getting a bit better at it now. Kinda...

Tomorrow I will be suave and sophisticated with an urbane line in self deprecating humour. I will not be nervous when interviewed on Norwegian national radio, or when someone sticks a camera up my nose and says “Sexy, gir meg sexy, ja, det er det, lager kjærlighet til fotoapparatet!”. I will not, in short, make a complete and utter tit of myself.

Oh who am I kidding...

Sunday, March 06, 2005

Times they are a changin’

Well, as you can see the old blogaroonie has undergone a slight makeover, including a nice picture of some bearded spam-head and a couple of additions to the ‘Blogs What I read’ bit. Most important, I suppose, is the new website stuff, which is open for your perusal. Thank the living doodad that the site is finally up and running – I would have felt a right and proper shite for making all my publishers put the web address on the book and not having it ready for the Norwegian launch.

If you find anything that’s knackered, or doesn’t work the way you think it should, let me know – either here or on the comments section (which emails me) and I’ll do my best to fix it. Or maybe just run away and hide? Who can tell?

A hard day's work

Yesterday the long-dreaded shopping trip actually took place, and it was every bit as much fun as I knew it would be. The whole thing wasn’t helped by Grendel (AKA Miss Kitty-Poo-Cat) having the same kind of time on Friday night as I’d had all Thursday. She was feeling very sorry for herself, so we let her through to the bedroom with us all night, nice, but daft parents that we are. This meant getting up to clean up frothy-white cat sick every hour on the half hour, mostly while She Who Must snored it up. And as you may or may not know (depending on how long you’ve been lurking here), I have a real difficulty getting to sleep, back to sleep, or staying asleep at the best of time. Trapped with a retching cat, it was pretty much impossible. So it was with bleary eyes and a heavy heart I set out round the Aberdeen shops with Fiona, looking for clothes that would make me look less like a tramp on a bad day and more like someone who’s actually written a book. After all, I wouldn’t want to turn up at a signing and be asked to move along as I’m making the place look untidy.

So we have purchased: fingertip-length black leather jacket – one, pair of black Levis – one, sock – none, pants – none, clunky huge black boot things - two… Hunting for a shirt that doesn’t look like shite with buttons was pretty much impossible. Everything in the shops at the moment is either ugly as hell, or uglier. Candy-stripe monstrosities in pink and brown, or nasty patterns and oh bugger off with the crappy shirts! Whatever happened to simple, plain coloured shirts?

Back at casa MacBride we then proceeded to play ‘dress up Stuart’, only to discover that I’ve inadvertently bought a David Hasselhoff look-alike outfit. OK, so I look like a younger, prettier, bearded David Hasselhoff (and no curly-wurly perm), but David Hasselhoff nonetheless. Hopefully I’ll be able to get away with saying I’m dressing ‘ironically’. So for God’s sake don’t tell anyone!

David Hasselhoff: Saint, or Sinner?

Friday, March 04, 2005

Urnnnggggg...

Not a good day yesterday, not by a long shot. No, yesterday was one of those white-knuckle rides on the porcelain express, where it’s not so much a case of ‘anything goes’ as ‘EVERYTHING goes’. Which means I had to take a day off work on the sick and couldn’t go to what will probably be my last ever jolly with the company before I go away to be a write-ist. And it was a good jolly too, from what I’ve been told: loads of tea and sticky buns, mars bars and party – sorry, ‘teambuilding’ – games. This included one where they had to imagine they were in a plane crash in Canada, it’s below freezing outside and both the pilot and co-pilot have snuffed it. I wasn’t there, so my esteemed colleagues decided I’d be first on the menu (after they’d whetted their appetites on Biggles and his mate up front, and eaten all the mars bars… Actually, now I come to think of it, I’m willing to bet at least three of them would have saved their damn mars bars for dessert.). Bastards.

They didn’t consider the much more democratic and ethical approach, where everyone loses a limb to the cooking pot in turn. Sort of like a beetle-drive in reverse, but the goal would still be to have the largest number of legs by the end of the game.

And what was the cause of this great malaise? Haven’t the foggiest. I can only hope it was the chicken I had for lunch on Wednesday and not some dreaded lurgie (though I have been having those ‘get up too fast and the world goes wheeeeeee…’ moments on and off all day. Not to mention an alcohol-free hangover. I really can’t afford to take to my sickbed at the moment! Not only do I have to do the whole damn ‘shopping for clothes’ thing this weekend (now with the extra burden of having to get a new pair of boots or shoes – and if there’s one thing I hate more than shopping for clothes it’s shopping for shoes: all the horror and boredom of schlepping round the shops with the added bonus of knowing the thing you’re out to spend your hard-earned cash on is going to bloody cripple you for months to come) and then there’s trip to Oslo! I can’t exactly turn up dripping with mucus, and other less palatable substances. They’ll never speak to me again.

But, as an aside, I wonder how much mucus Scotland generates in a year... Think anyone’s done a study?

I feel a Google coming on...

Thursday, March 03, 2005

Lockjaw

Fiona (She Who Must Be Bonkers) has been bursting to tell everyone the big secret all year. There was a huge debate at the start of the whole getting published thing where it took me ages to convince her to keep her natural tendency to blurt under control. This was hard in the beginning, but eventually she got used to the idea that the fact I was getting published was our dirty little secret and no one else must ever know… Until the run up to my birthday, when she suddenly remembered that she REALLY wanted to tell someone. Anyone. Everyone!

Only trouble is, now that it’s all out in the open, or at least now that I’m not purposely lying about why I spend so much time at home in front of the computer (I’m downloading porn: honest!), she’s finding it much more difficult to tell people. Apparently it’s a bit too close to boasting, and she’s never been very keen on that. And when she finally works up the courage to tell someone she’s disappointed when it comes out sounding like it’s not really anything that special. Poor fish that she is. After all this time, she’s only managed to tell about three people where she works.

I however, am getting good wishes at a staggering rate (about five today, and six yesterday, so I’ve almost broken the dozen), my ego is already starting to inflate to the size of a small minibus. I may even have to start wearing a cravat.

Tuesday, March 01, 2005

To Blog, or not to blog, that is the question…

Well, that’s day one back to work over and done with. Just another 17 (non-consecutive) days to go, before it’s leave of absence time. The first, ‘I understand congratulations are in order’ happened before I’d even stepped foot in the place this morning. It seems that Norman (gawdblessim) spent some time spreading the good word yesterday. So about half a dozen people wandered past my god-awful oubliette of a desk to wish me well and ask about getting published. Best one has to be Lawrence, who was so chuffed at the news that he positively glowed with pleasure on my behalf. It really brought a smile to my bearded, little heart. I can’t think when so many people have been so genuinely pleased for me.

But I digress, this evening’s excuse for a bastardised Shakespeare quote is something I’ve been pondering since Christopher ego-googled his way across this blog. Suddenly this fairly anonymous little journal, sometimes frequented by some nice people and more real oddballs, has become something my family, and now my work colleagues can traipse through at their leisure (though not at work as wrists will be slapped). Am I comfortable with this or not… Can’t decide. On the one hand, I’ve obviously felt the self-indulgent ramblings on this site are suitable for the rest of the world, so why do I squirm slightly at the thought of people I know and see every day reading it? And it’s not like I’m going to get fired for posting here, like poor old Joe Gordon, I don’t post anything about the company I work for, or my job (heck-fire, I ain’t even named them – and before any smart-arse thinks of outing the company on the back blogs, I have the power to delete and I’m not afraid to use it) and even if they did decide to take disciplinary action, what they going to do? I’ve only got another 17 days to go, remember? And if they want me out, they’ll have to give me four weeks notice, or pay me for them, so I could sit on my bum at home and be paid for it… Hmm…. There’s a thought: I have some secrets I could spill…

See, there’s that digression again. I don’t know if anyone else has their blog perused by colleagues or not. And I suppose with the growing popularity of ‘lurking’, I suppose most people may not even know that Susan from Accounts is delving into their secret, deviant, little online world.

Who knows…

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